Tag Archives: Gabriel Blackwell

New Fiction Published!

conj68a.jpgHappy to share that “The House That Jack Built,” a new fiction of mine, appears in Conjunctions:68, Inside Out: Architectures of Experience, alongside work by Robert Coover, Joyce Carol Oates, Lance Olsen, Nathaniel Mackey, Susan Daitch, Frederic Tuten, Joanna Scott, Andrew Mossin, Claude Simon, Louis Cancelmi, Cole Swensen, Robert Clark, Kathryn Davis, Elizabeth Robinson, Gabriel Blackwell, Monica Datta, Robert Kelly, Mary South, Brandon Hobson, Ryan Call, Ann Lauterbach, Can Xue, Karen Gernant, Chen Zeping, Matt Reeck, Lisa Horiuchi, Elaine Equi, G. C. Waldrep, Lawrence Lenhart, Mark Irwin, Justin Noga, Karen Hays, and Karen Heuler.

 

New Fiction in Conjunctions:60, In Absentia!

conj60bOne of my fictions, “Suspension as a Unit of Experience; or, What She Remembered of the Vanishing Lines,” has just been published in Conjunctions:60, In Absentia.

Happy to have some of my fiction alongside work by Joyce Carol Oates, Robert Coover, Brian Evenson, Robert Olen Butler, Miranda Mellis, Joanna Ruocco, Stephen O’Connor, J. W. McCormack, Gabriel Blackwell, Matt Bell, Benjamin Hale, Kim Chinquee, Julia Elliott, Carole Maso, Charles Bernstein, Robert Walser, and others.

Thanks, Bradford Morrow and everyone at Conjunctions!

New Fiction Forthcoming!

conj60a-1Great news! One of my fictions, “Suspension as a Unit of Experience; or, What She Remembered of the Vanishing Lines,” will appear in Conjunctions:60, In Absentia, alongside work by Matt Bell, Robert Walser, J. W. McCormack, Kim Chinquee, Gabriel Blackwell, Carole Maso, Can Xue, Robert Coover, Stephen O’Connor, Joanna Ruocco, Samuel R. Delany, Benjamin Hale, Ben Marcus, Elizabeth Hand, and many others.

Thanks, Bradford Morrow and everyone at Conjunctions!

Review of Rikki Ducornet’s Netsuke

Check out my review of Rikki Ducornet’s Netsuke in the latest issue of American Book Review, alongside reviews by Gabriel Blackwell and John Domini. Here’s an excerpt of my review:

Rikki Ducornet’s Netsuke, where allusions to a panoply of gods and monsters abound, where some characters are, at times, avatars of those divinities, gives lie to the idea that intertextuality etiolates a narrative, chokes it beneath so much classical or whatever drapery, peoples it with cardboard cutouts for characters, relegating it into a facsimile of something far superior; these references serving, instead, as enriching threads woven within hefty narrative weft. Carefully limning the interstices between obsession, rage, desire, truth, and intimacy, as well as attentively traversing the planes of same, Netsuke castigates a life, and perhaps our society as a whole, in which Eros has gone awry, while also offering a cri de coeur against dubious psychiatric palliatives.