WRITING

BOOK:

▪ Nervosities (Anti-Oedipus Press, 2024)

FICTION:

▪ “Nature Under Constraint and Vexed” (forthcoming in Contrapuntos X, 2023)

▪“To Have Done with the Division of Moving Bodies” (published in Heavy Feather Review’s Vacancies in 2014, now archived online, 2023)

▪ “Blues for Borinquén” (Salt Hill: 47, Winter 2022)

▪ “When Seeing Isn’t Looking Isn’t Believing” (The Tunnel at 25, Summer 2020)

▪ “No Stranger to You and Me” (Saranac Review, Fall 2017)

▪ “The House That Jack Built” (Conjunctions: 68, Inside Out: Architectures of Experience, Spring 2017)

▪ “Reflections of a Walking Ruin” (Numéro Cinq, January 2017)

▪ “You Should Have the Body” (Web Conjunctions, September 2016)

▪ “To Have Done with the Division of Moving Bodies” (Heavy Feather Review: Vacancies, Summer 2014)

▪ “Suspension as a Unit of Experience; or, What She Remembered of the Vanishing Lines” (Conjunctions:60, In Absentia, Spring 2013)

▪ “Spectral Confessions and Other Digressions” (The &Now Awards 2: The Best Innovative Writing, edited by Davis Schneiderman, Spring 2013)

▪ “Spectral Confessions and Other Digressions” published in The Official Catalog of the Library of Potential Literature (The Lit Pub, 2012)

▪ My untitled fifty-word text appears in [ C. ] An MLP Stamp Stories Anthology (Mud Luscious Press, November 2011)

▪ “Notes Toward the Recovery of Desiderata” (Conjunctions:56, Terra Incognita: The Voyage Issue, Spring 2011)

▪ “The Museum of Oddities & Eccentricities,” a collaboration with Lily Hoang, published in Unfinished, Stories Finished by Lily Hoang (Jaded Ibis Press, Winter 2011)

▪ “Spectral Confessions and Other Digressions” published in The Official Catalog of the Library of Potential Literature (Cow Heavy Books, 2011)

▪ “Some Varieties of Being and Other Non Sequiturs” (Conjunctions 55: Urban Arias, Fall 2010)

▪ “A Little Declines Outside the Flare” (Corduroy Mountain, print issue 2010)

▪ “Professor Fader Is Like a Virgin” (Sonora Review, May 2010)

▪ “How to Avoid Being a Woodpusher” (The Rumpus, April 2010)

▪ “How to Be Happy and Free” (Opium Magazine 9: The Mania Issue)

▪ “The World According to Arthur Arluck” (Underground Voices)

▪ “Was What It Was” (ArtVoice, June/July 2009)

POETRY:

▪ “The Science of Storytelling” and “Two Spaces After a Period” (Contrapuntos IX, 2022)

▪ “data-dump dummy’s error messages” (Featherproof Books, September 2009)

▪ “Beside a Ruin Nests the Eccentric” (Everyday Genius, September 2009)

▪ “How Do You Scratch a Phantom Limb?” (Little White Poetry Journal, Summer 2009)

▪ “Something, Fathered In the Wastes, Wormed Within the Body” (elimae, March 2009)

INTERVIEWS:

▪ Interview with Amber Sparks (The Brooklyn Rail, July-August 2016)

▪ “Sentenced to Depth,” collected in The Ear’s Mouth Must Move — Essential Interviews of William H. Gass

▪ Interview with Lance Olsen (Rain Taxi: Review of Books, Spring 2014: Online Edition)

▪ “Sentenced to Depth”: Interview with William H. Gass (Rain Taxi: Review of Books, Spring 2013: Online Edition)

▪ “Sentenced to Depth”: Interview with William H. Gass at (Rain Taxi: Review of Books, Spring 2013: Print Edition)

▪ Interview with Mary Caponegro (Salt Hill Journal, #28)

▪ Interview with Alexander Theroux (Bookforum)

▪ Interview with Thalia Field (The Believer, January 2011)

▪ Interview with Lance Olsen (Rain Taxi: Review of Books, Summer 2010)

▪ Interview with Brian Evenson (Rain Taxi: Review of Books, Winter 2009/2010)

▪ Interview with Chelsea Martin (The Rumpus, November 2009)

▪ Interview with Thomas Cooper (The Chapbook Review)

▪ Interview with Tina May Hall (The Chapbook Review)

▪ Interview with Leni Zumas (Word Riot)

MUSIC REVIEWS:

▪ Music review of Dälek’s Gutter Tactics (3:AM Magazine)

▪ Music review of Miniature Tigers’s Tell It to the Volcano (3:AM Magazine)

▪ Music Review of Andrew Bird’s Noble Beast (3:AM Magazine)

BOOK REVIEWS & ESSAYS:

▪ Review of John Domini’s Movieola! (The Brooklyn Rail, October 2016)

▪ “What Do You Call a Text with No Arms and No Legs and No Head?” (The Literarian, September 2012)

▪ Review of Jaimy Gordon’s Lord of Misrule (The Review of Contemporary Fiction)

▪ Review of Barry Hannah’s Long, Last, Happy: New and Selected Stories (Rain Taxi: Review of Books, Online Edition: Summer 2011)

▪ Review of Rikki Ducornet’s Netsuke (American Book Review, May/June 2011)

▪ Review of Ted Pelton’s Bartleby, the Sportscaster (Rain Taxi: Review of Books, Spring 2011 Print Edition)

▪ Review of Renee Gladman’s Event Factory (The Review of Contemporary Fiction, 2011)

▪ Review of Bradford Morrow’s The Diviner’s Tale (The Rumpus, February 2011).

▪ Review of Robert Steiner’s Negative Space (Rain Taxi: Review of Books, Online Edition: Winter 2010/2011)

▪ Review of Jeremy M. Davies’s Rose Alley (The Brooklyn Rail, February 2011)

▪ Review of Norman Lock’s Shadowplay (The Review of Contemporary Fiction, Fall 2010)

▪ Review of Peter Handke’s Don Juan: His Own Version, translated by Krishna Winston (The Review of Contemporary Fiction, Summer 2010)

▪ “The Whatness of Our Whoness: On Reading”: (The Laughing Yeti, July 2o1o)

▪ “How I Decide What to Read Next” (Guest post at the National Book Critics’ blog, July 2010)

▪ Review of Jane Unrue’s Life of a Star (The Brooklyn Rail, July/August 2010)

▪ Review of Robert Coover’s Noir (The Brooklyn Rail, May 2010)

▪ Review of Shane Jones’s The Failure Six (The Brooklyn Rail, April 2010)

▪ Powell’s Books “Review-a-Day” republished my review of Andrew Zornoza’s Where I Stay (originally published in Rain Taxi: Review of Books, Spring 2010).

▪ Review of Andrew Zornoza’s Where I Stay (Rain Taxi: Review of Books, Spring 2010)

▪ Review of Michael Kimball’s The Way the Family Got Away (The Rupture, March 2010)

▪ Review of Leni Zumas’s Farewell Navigator (Fiction Writers Review, March 2010)

▪ Review of Brian Evenson’s Baby Leg (The Rupture, February 2010)

▪ Review of John Haskell’s Out of My Skin (The Rumpus, February 2010)

▪ Review of Mary Caponegro’s All Fall Down (Open Letters Monthly, February 2010)

▪ Review of Joseph Young‘s Easter Rabbit (New Pages, February 2010)

▪ Powell’s Books “Review-a-Day” has republished my review of Joanna Howard’s On the Winding Stair (originally published in The Brooklyn Rail, December, 2009).

▪ Review of Interfictions 2: An Anthology of Interstitial Writing (New Pages, January 2010)

▪ Review of Robert Lopez‘s Kamby Bolongo Mean River (Word Riot, January 2010)

▪ Review of John Dermot Woods’s The Complete Collection of People, Places & Things (The Rupture, January 2010)

▪ Review of Michael Leong’s e.s.p. (Open Letters Monthly, January 2010)

▪ Review of Joanna Howard’s On the Winding Stair (The Brooklyn Rail, December 2009)

▪ Review of Ken Sparling’s Dad Says He Saw You at the Mall (The Rupture, December 2009)

▪ Review of Michael Kimball’s Dear Everybody (Word Riot, December 2009)

▪ Review of Justin Sirois’s MLKNG SCKLS (New Pages, December 2009)

▪ Review of Jamie Iredell’s Prose. Poem. A Novel. (The Rumpus, December 2009)

▪ “A Crazy Trolley to Nowhere and Back Again: Gert Jonke’s The System of Vienna” (The Millions, November 2009)

▪ Review of Jackie Corley’s The Suburban Swindle (The Rupture, November 2009)

▪ Review of The Delicacy and Strength of Lace: Letters Between Leslie Marmon Silko and James Wright (Word Riot, November 2009)

▪ Essay entitled “Now I am Ready to Tell How Bodies Are Changed Into Different Bodies: Anne Michaels’s The Winter Vault” (The Prairie Journal: A Magazine of Canadian Literature, Issue #52, 2009)

▪ Review of Sean Lovelace’s How Some People Like Their Eggs (Open Letters Monthly, November 2009)

▪ Review of Suzanne Jill Levine’s The Subversive Scribe (New Pages, November 2009)

▪ Essay “Magic and Music Steer this Vessel: On Jorge Luis Borges’s This Craft of Verse” (Fiction Writers Review, October 2009)

▪ Reprint of my essay “Call Me Fish–Owl: Reflecting on the Novella’s neither Fish nor Fowl Status” (Flatmancrooked, October 2009)

▪ Review of Nick Antosca’s Midnight Picnic (The Rupture, October 2009)

▪ Review of Lily Hoang’s Changing (The Rupture, September 2009)

▪ Review of Matthew Simmons’s A Jello Horse (Open Letters Monthly)

▪ Review of Stephanie Johnson’s One of These Things Is Not Like the Others (New Pages)

▪ Review of Michal Ajvaz’s The Other City (The Rupture, August 2009)

▪ Review of Brian Evenson’s Fugue State (Open Letters Monthly)

▪ Review of Fred Marchant’s The Looking House (Word Riot, August 2009)

▪ Review of The Rose Metal Press Field Guide to Writing Flash Fiction: Tips from Editors, Teachers, and Writers in the Field, Edited by Tara L. Masih (New Pages)