Happy to share that “The House That Jack Built,” a new fiction of mine, will be appearing in Conjunctions:68, Inside Out: Architectures of Experience.
Check out my review of John Domini’s Movieola!
) in the latest issue of The Brooklyn Rail
. Thanks, Joseph Salvatore
for publishing it! Happy to share space with Catherine LaSota
, Tony Leuzzi
, Artie Niederhoffer
, Brian O’Doherty, Hilary Reid
, and Sara Roffino
Posted in Uncategorized
Tagged Artie Niederhoffer, Brian O'Doherty, Catherine LaSota, Dzanc Books, Hilary Reid, John Domini, John Madera, Joseph Salvatore, Movieola!, Sara Roffino, The Brooklyn Rail, Tony Leuzzi
Happy to share that “You Should Have the Body,” a new fiction of mine, has just been published at Web Conjunctions! Thanks, Bradford Morrow, Micaela Morrissette, and everyone at the journal!
Check out my interview with Amber Sparks, where I ask her about her new collection, The Unfinished World and Other Stories, and other things. Here’s an excerpt:
[Madera]: The stories here run the fabulist fiction gamut. You explore myth, science fiction, legend, horror, the fairy tale, etc., upending their tropes, often subtextually critiquing them. And sometimes you comment directly on genre conventions. For instance, in “The Cemetery for Lost Faces” we find an argument about what constitutes a fairy tale, some characters arguing that the “happily-ever-after is just a false front. It hides the hungry darkness inside.” What would you say motivates you to play with genre, to trespass their seeming borders? And how would you describe the “hungry darkness inside”?
Sparks: Honestly, most of it is a love for genre fiction, film, and television. The things that got me passionate about reading and writing, the things that I took the first story shapes and tropes from, were almost entirely genre: horror, sci-fi, fantasy, fairy tale. The first books I ever read were books of fairy tales my dad had from his own childhood. So I’ve been forming stories around these traditional structures and genre conventions forever, and playing with those conventions, upending them, for almost just as long. I wouldn’t say there’s an overt motivation beyond playfulness, between thinking always of ways to expand the possibilities of story. But I think if I’m being honest, feminism and an interest in outsider art, in fringe stories, probably also play a role, because there’s so much to be said about the role of women in these traditional stories and in stories outside of the traditional literary space.
Read the rest HERE.
Happy to share that one of my fictions, “You Should Have the Body,” is forthcoming in Web Conjunctions. Thanks to the good Bradford Morrow, Micaela Morrissette, and everyone at the journal. Read dangerously, indeed.
Free to all and readable on any device, the microsite collects 13 essential interviews that Gass gave between the late 1970s and 2013. It’s titled The Ear’s Mouth Must Move, a phrase of Gass’ own. The pieces feature text, related historical photography, video, and a handful of marginal notes and links that might be of interest to readers.
Happy to share that one of my fictions, “To Have Done with the Division of Moving Bodies,” will be published in VACANCIES, Heavy Feather Review‘s upcoming double-issue.
Thanks, Jason Teal and Nathan Floom!