Dawn Raffel’s Advance Praise for Among the Dynamos!

Dawn Raffel’s writing is masterfully lyrical, engagingly strange, and intensely precise, deftly limning “ordinary” life—especially family, memory, loss, and longing—into emotionally pulsing worlds where the familiar becomes uncanny and seeming minutiae throb with acute consequence; so you can imagine how delighted I am to receive Raffel’s advance praise for Among the Dynamos (BlazeVOX [books]), my forthcoming novel:

“It was a pleasure to immerse myself in Among the Dynamos, John Madera’s audacious and (darkly) funny and moving and brave novel. Cousin to Olivia Laing’s Crudo, and in seeming conversation with Frederic Tuten, one of the most intellectually robust and inventive writers of our time, who retains a powerful emotional center—I’d say there are echoes of many of Don DeLillo’s themes, e.g., politics, alienation, despair, and desire. But also race and sex. I especially admire the audacity of a post-Trump book, Madera making desire, believably, the strongest valence. The writing is startling and original. Time and again, I found myself stopping to highlight an arresting line or passage. Some strands have the feeling of a spiraling Greek chorus: the social media posts, the pitch-perfect overheard conversations, the musical interludes, even the news. ‘To pay attention is to seethe, to mourn,’ Madera writes, and he has paid exquisite attention in these pages, Among the Dynamos indeed seething and mourning but above all living. Hats off to him!”
—Dawn Raffel, author of In the Year of Long Division, Carrying the Body, Further Adventures in the Restless Universe, and Boundless as the Sky  

 

BlazeVOX [books] Will Publish Among the Dynamos!

Delighted to share that BlazeVOX [books] will be publishing Among the Dynamos, my debut novel (publication date: TBD)! Big thanks to Geoffrey Gatza and everyone at BlazeVOX [books]!

Here’s a description of the book:

Among the Dynamos tells the story of Ernesto Gonzalez, a Latinx talent agent caught in the crosscurrents of the attention economy, a love “quadrilateral,” and a mysterious illness. An influencer “exploring” non-monogamy while battling an actual itch he can’t scratch, Ernesto must navigate the needs, desires, and obsessions of his clients—and his own. Fleeing his dumpster-fire of a city, he embarks on a picaresque odyssey across what he calls this “land of the bilk and money.” Featuring a zany cast that includes an irl action figure, an increasingly unhinged performance artist, and the stars of a controversial reality television show, Among the Dynamos upends conventional notions of art, sex, death, politics, celebrity, and technology.

Like the novels of Paul Beatty, Don DeLillo, Joan Didion, Sam Lipsyte, Richard Powers, Colson Whitehead, and Joy Williams, John Madera’s Among the Dynamos bears witness to the decline of the American empire, with a keen ear for the fuzz of relationships, the buzz of technology, and the scuzz of popular culture.

 

John Keene’s Advance Praise for Nomad Science!

John Keene’s brilliant, genre-defying writing combines archival rigor, formal innovation, and profound moral imagination to illuminate hidden histories and open new pathways for literary expression; so you can imagine how delighted I am to share Keene’s advance praise for Nomad Science (Spuyten Duyvil Press), my forthcoming collection of poetry:

“The wry, charged, and ruminative poems in John Madera’s poetry debut, Nomad Science, remind us that poetry is always a form of thinking, of working through the mundanities and complexities of experience in language and as language. In poem after poem, we can see Madera’s lyric science and witness him setting thought to flight.”
—John Keene, MacArthur Fellow and author of Counternarratives and Punks: New & Selected Poems (winner of the 2022 National Book Award for Poetry)

 

Edwin Torres’s Advance Praise for Nomad Science!

Through inventive wordplay and experimental forms, Edwin Torres creates vital work that challenges perception, engages urban and diasporic experience, and pushes language beyond conventional boundaries; so you can imagine how delighted I am to share Torres’s advance praise for Nomad Science (Spuyten Duyvil Press), my forthcoming collection of poetry:

“There is a science to the unfolding rhizome, a quantum tenderness to a poet’s search engine, asking what it means to nomad through no-madness. With this book, John Madera treats the poet as an emotion-adjacent superbeing, compared to mere human neighbors, giving us a newly conjured surrounding to exist in—‘my imagination, / Supersonic, soaring, making time and space for space-time.’ To shroud fellow searchers with implication is to render a thousand and one nights their backlog. As a dystopian Scheherazade evoking prana for the digital citizenship, Madera weaves Blanchot into Stevens into Hemingway into cyber-gogue with a breathless rush of words unearthed from our programmed errata, knowing that language will survive us, as both savior and mineshaft. ‘To be at the end of the world is to be at the beginning / Of another one,’ Madera writes. Pay heed wanderers, Nomad Science is a love note for the dominant requiem.”
—Edwin Torres, author of Feel Recordings in the Evershift and Quanundrum: I Will Be Your Many Angled Thing (winner of a 2022 American Book Award)