Review of Leni Zumas’s Farewell Navigator

My review “A Little Bone of Crazy, or This is Your Brain On Snowbroth: Leni Zumas’s Farewell Navigator” is at Fiction Writers Review. Here’s an excerpt:

Most of these stories are compact studies of paralysis, in the tradition of Beckett and Ionesco. These ciphers don’t so much act or react, but are usually quietly or loudly inert. Insignificance, ennui, insensitivity, and impotence all figure largely here. Sherwood Anderson could have been describing Zumas’s characters as they, too, are “forever frightened and beset by a ghostly band of doubts.” In “Farewell Navigator,” one character envies a group of blind schoolchildren having teachers “to pull them. Nobody expects them to know where to go.” And in“Leopard Arms”—a story told from the perspective of a gargoyle—a father fears…

of doing nothing they’ll remember him for. Not a single footprint—film, book, record, madcap stunt—to prove he was here. Am I actually here? he sometimes mutters into his hand. Significant fears to face, I would say: but these two do a bang-up job of not. Their evasion strategy is deftly honed.

Such characters are unmoored in an unforgiving world, bereft of hope for renewal or redemption.

“A Reader’s Log(orrhea)”

Please check out the first installment of my monthly column, “A Reader’s Log(orrhea),” at The Nervous Breakdown. Here’s an excerpt:

Deciding what to read is, for me, always marked by a certain degree of anxiety. I feel pulled back by the past, from all those classics that inspired countless other worthy works, but also simultaneously pushed along toward or pulled by whatever’s being published now. There are other tensions. As a fiction writer, I like to read things that are connected in some way—either thematically or structurally, or, ideally, both—to what I’m currently writing. As a reviewer, I also have books that are sent to me and pull me in yet another direction. I’m also often yanked by the independent presses; their vitality is overpowering, sometimes. And then there’s the tugging from the incredible, and innumerable, new works in translation. For instance, there’s Michael Hulse’s recent translation of Rilke’s The Notebooks of Malte Laurids Brigge that’s been calling to me. (I’ve read three translations of it already, so why do I feel this pull?) And, just like everybody else, I have to wade through the major press conglomerate’s advertising bombardments of their latest, and usually unsatisfying and empty, bombast; but even so, I still keep looking because… you just never know.

The Chapbook Review: Winter 2010

The Winter 2010 issue of The Chapbook Review is now live! It features interviews with Aaron Burch, Mike Heppner, and Catherine Kasper by, respectively, J.A. Tyler, Josh Maday, and John Dermot Woods, and reviews by Matt DeBenedictis, Anne C. Fowler, Steven Karl, Janey Smith, and J.A. Tyler.

You can read my introduction HERE, and find the current issue HERE.

Powell’s Books – Review-a-Day – American Reader #12: On the Winding Stair by Joanna Howard, reviewed by John Madera

My review of Joanna Howard’s On the Winding Stair has been republished at Powell’s Books – Review-a-Day – American Reader #12. Hooray!