JOHN MADERA—Writer, Editor, Publisher

Big thanks to Stephen Sacco for interviewing me about Nervosities on Plague Remedy!

An excerpt:
“Art is breath. Art is food. Art is life. Art is love. Art is us. It’s us! Art needs no justification. I see artists constantly apologizing for making art. Imagine a farmer saying, ‘Oh I’m so sorry for having tilled this wheat.’ ‘I’ve made this amazing meal for you,’ the chef says, ‘but I shouldn’t have made it.’ Art is necessary. Artists are just as necessary as doctors. So make art, no matter what!”

Tune in to also hear me talk about fearlessly leaping into the unknown; artful experimentation as a continuum; “nowness not merely as newness but as vitality”; on imagining and realizing not only another world but a better one; on shared power as the only legitimate form of power; impermanence, egolessness, and “aimlessness”; the fertility and generativity of exile and diaspora; on acting against the “tyranny of shoulds and should nots”; on the necessity of conscientiously doing nothing; and more besides!

Big thanks, too, to Christian Livermore, the producer of the show!

Listen to the rest of the interview HERE!

Big thanks to Ben Lindner for interviewing me about Nervosities! on Beyond the Zero!

Tune in to hear me talk about, among other things, my background as an artist, literary and otherwise; my work as a critic, editor, and publisher; subversive, viz., experimental and innovative prose and poetry, writing that writes against the logic of the marketplace, the state, and religion, and other machines and apparatuses of discipline and control; the ruins of Alt Lit; the vanishing and seeming return of the blogosphere; love, love, love; marginalization; small press ecologies; Rhizomatic, my boutique publicity firm; maximalism and minimalism; some of the themes of Nervosities, e.g., the perils and wonders of exile and diaspora, hyper-mediatization, death-cult capitalism, loneliness, consciousness, the mutability of identity and the so-called self, and more. The show ends with me sharing a list of my “gateway books”: books that inspired me as a reader and writer; a list of books I have recently read and am looking forward to reading; and finally a list of my “desert island books.”

Lindner has featured so many of my favorite writers, superb writers all (among them Louis Armand, Gabriel Blackwell, Jeff Bursey, Tobias Carroll, Rikki Ducornet, Brian Evenson, Babak Lakghomi, Lance Olsen, Dawn Raffel, John Reed, and William Walsh (each of whose work I’ve published in Big Other), and Sergio de la Pava, Álvaro Enrigue, Sam Lipsyte, Garielle Lutz, and Marcus Pactor, and many other writers), so you can imagine my delight to be featured on the show.

Ka-pow!

Listen to the interview HERE!

Big thanks to superb writer Rone Shavers for interviewing me about Nervosities! Grateful for his smart, challenging, and inspiring questions, to say the least. Big thanks, too, to Rain Taxi and Eric Lorberer (its stalwart editor)  for publishing it!

Here’s an excerpt:

To make something vitally unusual requires that one be “difficult,” requires an indominable obstinacy along with total vulnerability, a knowing steadfastness in the face of great unknowing, likely misunderstanding, possible censure, ridicule, ostracization, etc.; it requires rugged determination and patience that may on the surface look like foolhardiness or intransigence in the face of so-called reality, but which is really heartful pluck, whimsical vim, and empathetic elasticity.

That said, it’s not a willful difficulty that genuinely adventurous, generously subversive writers aim for; they don’t deliberately and mean-spiritedly set up obstacles for the unsuspecting reader to overcome, the act of which strikes me as a kind of sadism. The aim—or, better to say, the process such writers live within—is one where they set up difficulties for themselves, organize challenges that compel them to go beyond their current abilities, to go beyond, moreover, what society’s planners, the disciplinarians, the authorities, the professional managers, the haters, the naysayers, etc., say is their place, which is “nowhere” in the worst senses of the word.

All to say, difficulty is a pleasure, the pleasure of getting lost, of stumbling around in the darkness of the unknown, of the impossible.

Read the rest of the interview HERE!

Big thanks to Nick Mamatas for reviewing Nervosities in the latest print issue of The Anarchist Review of Books!

Mamatas writes:
“John Madera writes in the innovative tradition (ironic)—a form like a delta […] with tributaries of experimental, transgressive, New Narrative, the poetic, postmodern, post-structuralist avant-garde[,] and avant-pop[,] the first meaning that a page might be full of periods to suggest a very long scream and explicit references to Lyotard and the last meaning explicit references to David Lynch and the relative absence of dialogue between characters in the […] attempt to create a televisual experience as we flash through circumstances and reversals of fortune.”