Forthcoming:
▪ Interview with Mary Caponegro (Salt Hill Journal, #28)
Fiction:
▪ My untitled fifty-word text appears in [ C. ] An MLP Stamp Stories Anthology (Mud Luscious Press, November 2011)
▪ “The Museum of Oddities & Eccentricities,” a collaboration with Lily Hoang, published in Unfinished, Stories Finished by Lily Hoang (Jaded Ibis Press, Winter 2011)
▪ “Spectral Confessions and Other Digressions” published in The Official Catalog of the Library of Potential Literature (Cow Heavy Books, Winter 2011)
▪ “Some Varieties of Being and Other Non Sequiturs” (Conjunctions, Fall 2010)
▪ “A Little Declines Outside the Flare” (Corduroy Mountain, print issue 2010)
▪ “Professor Fader Is Like a Virgin” (Sonora Review, May 2010)
▪ “How to Avoid Being a Woodpusher” (The Rumpus, April 2010)
▪ “How to Be Happy and Free” (Opium Magazine 9: The Mania Issue)
▪ “data-dump dummy’s error messages” (Featherproof Books, September 2009)
▪ “Beside a Ruin Nests the Eccentric” (Everyday Genius, September 2009)
▪ “How Do You Scratch a Phantom Limb?” (Little White Poetry Journal, Summer 2009)
▪ “The World According to Arthur Arluck” (Underground Voices)
▪ “Was What It Was” (ArtVoice, June/July 2009)
▪ “Something, Fathered In the Wastes, Wormed Within the Body” (elimae, March 2009)
Interviews:
▪ Interview with Alexander Theroux (Bookforum)
▪ Interview with Thalia Field (The Believer, January 2011)
▪ Interview with Lance Olsen (Rain Taxi Review of Books, Summer 2010)
▪ Interview with Brian Evenson (Rain Taxi Review of Books, Winter 2009/2010)
▪ Interview with Chelsea Martin (The Rumpus, November 2009)
▪ Interview with Thomas Cooper (The Chapbook Review)
▪ Interview with Tina May Hall (The Chapbook Review)
▪ Interview with Leni Zumas (Word Riot)
Music Reviews:
▪ Music review of Dälek’s Gutter Tactics (3:AM Magazine)
▪ Music review of Miniature Tigers’s Tell It to the Volcano (3:AM Magazine)
▪ Music Review of Andrew Bird’s Noble Beast (3:AM Magazine)
Book Reviews & Essays:
▪ Review of Jaimy Gordon’s Lord of Misrule (The Review of Contemporary Fiction)
▪ Review of Barry Hannah’s Long, Last, Happy: New and Selected Stories (Rain Taxi: Review of Books, Online Edition: Summer 2011)
▪ Review of Rikki Ducornet’s Netsuke (American Book Review, May/June 2011)
▪ Review of Ted Pelton’s Bartleby, the Sportscaster (Rain Taxi: Review of Books, Spring 2011 Print Edition)
▪ Review of Renee Gladman’s Event Factory (The Review of Contemporary Fiction, 2011)
▪ Review of Bradford Morrow’s The Diviner’s Tale (The Rumpus, February 2011).
▪ Review of Robert Steiner’s Negative Space (Rain Taxi: Review of Books, Online Edition: Winter 2010/2011)
▪ Review of Jeremy M. Davies’s Rose Alley (The Brooklyn Rail, February 2011)
▪ Review of Norman Lock’s Shadowplay (The Review of Contemporary Fiction, Fall 2010)
▪ Review of Peter Handke’s Don Juan: His Own Version, translated by Krishna Winston: (The Review of Contemporary Fiction, Summer 2010)
▪ “The Whatness of Our Whoness: On Reading”: (The Laughing Yeti, July 2o1o)
▪ “How I Decide What to Read Next” (Guest post at the National Book Critics’ blog, July 2010)
▪ Review of Jane Unrue’s Life of a Star (Brooklyn Rail, July/August 2010)
▪ Review of Robert Coover’s Noir (The Brooklyn Rail, May 2010)
▪ Review of Shane Jones’s The Failure Six (The Brooklyn Rail, April 2010)
▪ Powell’s Books ”Review-a-Day” republished my review of Andrew Zornoza’s Where I Stay(originally published in Rain Taxi: Review of Books, Spring 2010).
▪ Review of Andrew Zornoza’s Where I Stay (Rain Taxi Review of Books, Spring 2010)
▪ Review of Michael Kimball’s The Way the Family Got Away (The Collagist, March 2010)
▪ Review of Leni Zumas’s Farewell Navigator (Fiction Writers Review, March 2010)
▪ Review of Brian Evenson’s Baby Leg (The Collagist, February 2010)
▪ Review of John Haskell’s Out of My Skin (The Rumpus, February 2010)
▪ Review of Mary Caponegro’s All Fall Down (Open Letter’s Monthly, February 2010)
▪ Review of Joseph Young‘s Easter Rabbit (New Pages, February 2010)
▪ Powell’s Books “Review-a-Day” has republished my review of Joanna Howard’s On the Winding Stair (originally published in The Brooklyn Rail, December, 2009).
▪ Review of Interfictions 2: An Anthology of Interstitial Writing (New Pages, January 201o)
▪ Review of Robert Lopez‘s Kamby Bolongo Mean River (Word Riot, January 2010)
▪ Review of John Dermot Woods’s The Complete Collection of people, places & things (The Collagist, January 2010)
▪ Review of Michael Leong’s e.s.p. (Open Letters Monthly, January 2010)
▪ Review of Joanna Howard’s On the Winding Stair (Brooklyn Rail, December 2009)
▪ Review of Ken Sparling’s Dad Says He Saw You at the Mall (The Collagist, December 2009)
▪ Review of Michael Kimball’s Dear Everybody (Word Riot, December 2009)
▪ Review of Justin Sirois’s MLKNG SCKLS (New Pages, December 2009)
▪ Review of Jamie Iredell’s Prose. Poem. A Novel. (The Rumpus, December 2009)
▪ “A Crazy Trolley to Nowhere and Back Again: Gert Jonke’s The System of Vienna” (The Millions, November 2009)
▪ Review of Jackie Corley’s The Suburban Swindle (The Collagist, November 2009)
▪ Review of The Delicacy and Strength of Lace: Letters Between Leslie Marmon Silko and James Wright (Word Riot, November 2009)
▪ Essay entitled “Now I am Ready to Tell How Bodies Are Changed Into Different Bodies: Anne Michaels’s The Winter Vault” (The Prairie Journal: A Magazine of Canadian Literature, Issue #52, 2009)
▪ Review of Sean Lovelace’s How Some People Like Their Eggs (Open Letters Monthly, November 2009)
▪ Review of Suzanne Jill Levine’s The Subversive Scribe (New Pages, November 2009)
▪ Essay “Magic and Music Steer this Vessel: On Jorge Luis Borges’s This Craft of Verse” (Fiction Writers Review, October 2009)
▪ Reprint of my essay “Call Me Fish-Owl: Reflecting on the Novella’s neither Fish nor Fowl Status” (Flatmancrooked, October 2009)
▪ Review of Nick Antosca’s Midnight Picnic (The Collagist, October 2009)
▪ Review of Lily Hoang’s Changing (The Collagist, September 2009)
▪ Review of Matthew Simmons’s A Jello Horse (Open Letters Monthly)
▪ Review of Stephanie Johnson’s One of These Things Is Not Like the Others (New Pages)
▪ Review of Greg Gerke’s There’s Something Wrong with Sven (The Rumpus)
▪ Review of Michal Ajvaz’s The Other City (The Collagist, August 2009)
▪ Review of Brian Evenson’s Fugue State (Open Letters Monthly)
▪ Review of Fred Marchant’s The Looking House (Word Riot, August 2009)
▪ Review of Peter Selgin’s Life Goes to the Movies (DIAGRAM)
▪ Review of Aleksandar Hemon’s Love & Obstacles (Open Letters Monthly)
▪ Review of Translation in Practice, edited by by Gill Paul (New Pages)
▪ Review of by Chelsea Martin’s Everything Was Fine Until Whatever (The Rumpus, June 2009)
▪ Review of Amelia Gray’s AM/PM (Word Riot)
▪ Review essay of Micheline Aharonian Marcom’s The Mirror in the Well (Tarpaulin Sky, June 2009)
▪ Review essay of Stanley Crawford’s Log of the S.S. Mrs Unguentine (Tarpaulin Sky, June 2009)
▪ “The Last Book I Loved”: Fog & Car (The Rumpus, June 2009)
▪ Review essay of Emine Sevgi Özdamar’s The Bridge of the Golden Horn (The Quarterly Conversation)
▪ Review essay of Eugene Lim’s Fog & Car (New Pages, June 2009)
▪ Review of Chimamanda Ngozi Adichie’s The Thing Around Your Neck (Open Letters Monthly
▪ Review of Waste, by Eugene Marten (Word Riot)
▪ Review of Words Overflown by Stars, edited by David Jauss (New Pages, May 2009)
▪ Review of Partial List of People to Bleach, by Gary Lutz (Word Riot)
▪ Review of First We Read, Then We Write: Emerson on the Creative Process, by Robert D. Richardson (New Pages, April 2009)
▪ Review of Joseph Stroud’s Of This World: New and Selected Poems (Bookslut, February 2009)
▪ Review of Can Xue’s Five Spice Street (The Quarterly Conversation)
▪ Review of J.M.G. Le Clézio’s The Interrogation (Bookslut, January 2009)
A Reader’s Log(orrhea):
▪ A Deep Well of Well-Linked Sentences
▪ With the Power of Prose Everything Is Possible
▪ Lyrical Language and Luminous Bits
▪ Mr. Tellibly Divicult!: James Joyce and the Joy of Must-Read Books, Like Finnegans Wake
▪ Unmoored Confessions and Other Diversions: Micheline Aharonian Marcom’s The Daydreaming Boy
